Best Movies to Watch on a Flight

The films that work on a small screen with limited attention. Comedy and easy drama rather than three-hour Tarkovsky.

Flight viewing is a structurally distinct cinematic experience. The screen is small (typically 6-12 inches), the audio is often through poor-quality headphones, the surrounding environment is loud, attention is interrupted by meal service and announcements, and the viewer is typically exhausted. Most films are structurally inappropriate for the situation; some films are specifically suited to it.

Our picks of films that work on a flight.

The picks

  • Paddington 2 (2017) — Paul King. The Hugh Grant performance. Universally appropriate.
  • The Big Sick (2017) — Michael Showalter. Kumail Nanjiani's autobiographical romance.
  • The Princess Bride (1987) — Rob Reiner. The most-quotable comedy of its decade.
  • About Time (2013) — Richard Curtis. Bill Nighy. The most-emotionally-direct flight option.
  • La La Land (2016) — Chazelle. Music-driven; works at any attention level.
  • Crazy, Stupid, Love. (2011) — Ficarra and Requa. The 2010s rom-com peak.
  • Sing Street (2016) — John Carney. 1980s Dublin teenage-band drama.
  • Hidden Figures (2016) — Theodore Melfi. The three Black NASA mathematicians.
  • Knives Out (2019) — Rian Johnson. The whodunit that rewards basic attention.
  • School of Rock (2003) — Linklater. Jack Black.
  • Pride (2014) — Matthew Warchus. The 1984 UK miners-strike solidarity drama. Almost universally beloved.

What to avoid on a flight

Films that require sustained attention to dialogue (Aaron Sorkin films, most extended-monologue work) do not survive the flight environment. Films that depend on detailed visual composition (most prestige-cinema, contemporary 65mm-shot films) lose their primary appeal at flight screen size. Films with significant violence or grief content can produce uncomfortable emotional experiences in the proximity of strangers. Three-hour films do not, structurally, fit standard flight durations without interruption.

The films above mostly avoid these structural problems. They are comedy-or-light-drama, they have clear dramatic structure that works at any attention level, they have musical or visual energy that survives small-screen viewing, and they leave the audience in a better mood than they started in. The combination is what flight viewing actually requires.